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"My dear Oliver!" protests Lady Rodney, mildly. He hardly realizes the extent of his subjection,—is blind to the extreme awkwardness of the situation. Of Geoffrey's absence, and the chance that he may return at any moment, he is altogether ignorant. "Don't throw me over that blue envelope, Nick," says Nolly: "I don't seem to care about it. I know it, I think it seems familiar. You may have it, with my love. Mrs. Geoffrey, be so good as to tear it in two.".
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He hesitates. He is tired, and hungry too; there is no denying. Even as he hesitates, a girl coming out to the door-step puts her hand over her eyes, and shouts pleasantly from afar to her mistress,— "I think I see myself behind Mazerin, at this time of day," says Mr. Rodney, heartlessly. "You don't catch me at it, if I know it. I'm not sure what horse I shall have, but I trust to Thomas to give me a good one. For the last time, good-by, you amiable young goose, and don't expect me till I come." Nothing daunted, however, by this reception, Geoffrey returns his grasp with interest, and, looking fresh and young and happy, runs past him, up the stairs, to his mother's room, to beard—as he unfilially expresses it—the lioness in her den. It is a very cosey den, and, though claws maybe discovered in it, nobody at the first glance would ever suspect it of such dangerous toys. Experience, however, teaches most things, and Geoffrey has donned armor for the coming encounter. Mona is sitting in the morning-room, the faithful and ever lively Nolly at her side. According to his lights, she is "worth a ship-load of the whole lot," and as such he haunts her. But to-day she fails him. She is absent, depressed, weighed down with thought,—anything but congenial. She forgets to smile in the right place, says, "Yes" when courtesy requires "No," and is deaf to his gayest sallies..
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